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By the time that he dissected the centenarian in Florence, Leonardo was a public figure with sufficient clout to conduct post-mortem examinations. Unlike in 1489, he now had access to corpses – often the bodies of executed criminals. “This period marks something of a crux in Leonardo’s career,” Clayton explains, “when he shifts from being an artist doing a little bit of science on the side to what he is for the last 12 years of his life: primarily a scientist who also does a bit of art.”
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By the time that he dissected the centenarian in Florence, Leonardo was a public figure with sufficient clout to conduct post-mortem examinations. Unlike in 1489, he now had access to corpses – often the bodies of executed criminals. “This period marks something of a crux in Leonardo’s career,” Clayton explains, “when he shifts from being an artist doing a little bit of science on the side to what he is for the last 12 years of his life: primarily a scientist who also does a bit of art.”